Description: Ambrosio is Grisostomo’s best friend who not only studies humanities with him at Salamanca University but who also dresses as a shepherd to pursue a beautiful girl named Marcela. Once in the country side, Grisostomo tells Ambrosio stories of his misadventures with Marcela, instructing him, in his final will and testament, to not only bury him by the “side of a coark oak spring, because that is where he first met Marcela,” but also to burn his poems and papers upon committing his body to the earth. So compelled, Ambrosio buries Grisostomo at the place and in the manner that his best friend instructs. But when Ambrosio tries to Barber (Master Nicholas) – Check Out This One From Quixotic Novels. burn Grisostomo’s poems, a well-meaning interlocutor named Don Vivaldo intercedes to preserve the documents, essentially because he wants Grisostomo’s papers “to serve as a warning for future generations of what can happen to people who rush headlong down the path of delirious love.” Quixotic Novelsâ€S Guide To Books. During his funeral speech, Ambrosio insists that “although Grisostomo’s love was as honorable as it was ardent” Marcela sealed his fate by scornfully rejecting him, which, ultimately, “put an end to the tragedy of his wretched existence.”
Ambrosio further says that “Grisostomo loved but was hated; he adored and was disdained; he entreated a dragon, pleaded with marble, chased the wind, cried out in the wilderness and served ingratitude, whose reward was to make him the prey of death in the midst and course of his life, which was ended suddenly by an enemy of all mankind.” In further explanation, Ambrosio claims Dolorous Duenna Read More On Quixotic Novels. that what caused Grisostomo to commit suicide were imagined jealousies and suspicions he envisioned as if they were real. At one point Ambrosio even concedes that everything that fame affirms about Marcela’s virtue is true, except for some cruelty, a little arrogance, and more than a little disdain. And when Marcela appears at Grisostomo’s funeral to defend herself, Ambrosio asks if she is there to “pour salt on the mortal wounds of his friend or to gloat over the achievement of her barbarity or to ride roughshod, in her arrogance, over his best friend’s luckless corpse.” After Marcela delivers a long speech in defense of her character and actions, Ambrosio says he is having a tombstone made to commemorate his friends passing, with an epitaph engraved in rhymed verse, which says “here lies the body of Grisostomo, a lover who was cruelly slain by Marcela who paid his love with disdain by rebuffing his courtship with ungrateful, haughty, and cold words of reproach.”
Don Quixote, Sancho Panza and the shepherds, who are at this point travelling together, come across the funeral procession of the young shepherd Grisóstomo. Telling the tale, Ambrosio, one of the funeral party, says: “He loved deeply and was rejected; he adored and was scorned; he pleaded with a wild beast, importuned a piece of marble, pursued the wind, shouted in the desert, served ingratitude and his reward was to fall victim to death in the middle of his life, which was ended by a shepherdess whom he attempted to immortalise so that she would live on in memory.” The shrill cry of a masculine group, forming around their lost companion. The tone is clichéd and anti-intellectual, it shows no appreciation that the poignancy of love is bound as much to the imminency of loss as to the strength of feeling of the lover. It says only, he loved, was unrequited and this is somehow an offence of the subject of his love.
Originally posted 2019-12-18 02:52:34.
Originally posted 2020-01-24 03:32:52.