Gines De Pasamonte (Master Pedro)
Gines de Pasamonte’s Physical Description: Besides his characteristic squint, Gines De Pasamonte is a very good looking thirty year old man.
Gines de Pasamonte’s Restraints: To diminish his chance of escape, Gines de Pasamonte is shackled-up differently than all the other prisoners because, unlike the other 11 inmates, he has a chain wrapped around his ankle that keeps his feet securely fastened; two neck irons that connect his torso to the torso’s of the other criminals so that his upper body is immobilized; and two bars that descend from his neck irons to his manacled wrists, so that he can neither lower his head to his hands, or raise his hands to his head, to spit out a skelton key from his mouth and pick the locks of his restraints. In short, since Gines de Pasamonte is such a slippery villain, the guards take extra precautions to ensure their safety.
Gines de Pasamonte’s Crimes: Though Gines de Pasamonte’s crimes are not specified, he is sent to the galleys for ten years.
Gines de Pasamonte’s Book: When Gines de Pasamonte serves his first four year galley sentence he writes his autobiography which he calls The Life of Gines de Pasamonte. At the end of his sentence he pawns his book for two hundred reals, which he plans to buy back at his first opportunity. Since, according to Gines de Pasamonte, his “book deals with facts, such fine don quixote books and funny facts that no lies can ever match them,” he esteems it above Lazarillo de Tormes, the first picaresque novel printed in Spain. When asked if he has finished his book Gines de Pasamonte replies that he will only finish it when his life is over. Since there are lots of things left for him to say and since there is plenty of peace and quiet in the Spanish galleys, Gines de Pasamonte swears that he will record the remainder of his underworld adventures in prison since he knows them all by heart. Part of the reason why he records all his beatings, recites all his affronts, and explains all his dangers is so readers can grow in honor and can avoid the hidden dangers that the story of his life reveals.
Gines de Pasamonte’s Repentance: Gines de Pasamonte, it seems, regrets his crimes for he tells a sergeant guarding him that “everyone should live a good life and speak even better words.”
Gines de Pasamonte’s Disguises: Shortly after Gines de Pasamonte escapes from the chain gang, he dresses in gypsy clothes to trick the Holy Brotherhood. In his role as a wandering entertainer, Gines de Pasamonte speaks Romany, the Indic language of the gypsies, since he knows many languages like a native. Later on, Gines de Pasamonte turns into Master Pedro, a puppeteer who wanders around the Aragon end of La Mancha, traveling from inn to inn staging a puppet show about how a Spaniard named Don Gaiferos frees his wife Melisendra from the Moors in Spain. To become Master Pedro, Gines de Passamonte “covers his left eye and almost half his left check with a patch of green taffeta” dressing in chamois leather leggings, breaches, and doublet, to complete his costume. To top-off his curious ensemble, Master Pedro trundles around a cart full of marionettes, trumpets, drums, and tapers, and has a fortune telling monkey, perched on his shoulder, with buttocks like old leather.
Gines de Pasamonte’s Puppet Theatre: Gines de Pasamonte stages a puppet show about how Don Gaiferos frees his wife Melisendra, who was a prisoner of the moors in Spain, in the city of Saragossa. To set the scene of this encounter he erects a stage that glows with wax tapers so that it is a glittering sight to behold. From above the stage Master Pedro works the marionettes while a young boy acts as the announcer and interpreter of the mysteries of the show holding a whalebone pointer to announce the puppets, one by one, as they emerge. To dramatize a skirmish between the Moors and the Christians living in Spain, the puppet show’s announcer simulates sounds of war-drums and trumpets and artillery with an assortment of instruments and noise makers. Readers learn that by charging two reals a ticket, Gines de Pasamonte had gotten quite rich this way.
Gines de Pasamonte’s Fortune Telling Ape: Gines de Pasamonte also makes money by training a large tailless ape to respond to a double tap on his shoulder so that it jumps up and whispers, or seems to whisper, past and present events in his ear. By discovering Don Quixote Story noteworthy events in people’s lives either from their fellow villagers, or from the best roadside source he comes across, Gines de Pasamonte is able to charge two reals per question, sometimes lowering his price depending on his “assessment of a questioner’s ability to pay.” By memorizing an assortment of facts and information in this way, Gines de Pasamonte is able to field questions about what Teresa Panza is doing at the moment, whether what happened to Don Quixote in the Cave of Montesinos is true or not, and an assortment of other questions about people’s economic and romantic affairs.
Gines de Pasamonte’s Nickname: The sergeant who guards Gines de Pasamonte says that people call him Ginesillo de Parapilla. But since Gines de Pasamonte does not like this nickname, he warns the sergeant “to watch his step” and to not be in such a hurry to fix nicknames on people.
Gines de Pasamonte’s Theft Of Sancho Panza’s Donkey: In desperate need of transportation, the unappreciative Gines de Pasamonte steals Sancho Panza’s precious donkey, since “the wicked are always ungrateful and necessity makes men do what they ought not do,” and the needs of the moment take precedence in his mind over thoughts of his future. To steal Sancho Panza’s donkey without him knowing it, Gines de Pasamonte creeps up under Sancho Panza while he is sleeping, props up the pack saddle on top of four poles one in each corner, with Sancho Panza sitting there, and gets the ass out from underneath him, “just like the famous thief Brunello removes the horse from between Sacripante’s legs using the same trick.” When Sancho Panza awakes in the morning without his donkey, he bellows doleful laments swearing that he will do whatever it takes to get Dapple back. Later, when Reconquista War Sancho Panza sees Gines de Pasamonte riding his donkey in gypsy clothes, he cries out for him to “leave his dearest Dapple alone, and to clear off and go away and to give up what is not his.” Since Gines de Pasamonte does not want to draw undue attention to himself, he jumps off of Dapple and departs at a lively trot.
Originally posted 2020-01-06 15:54:29.
Originally posted 2020-04-29 08:12:17.